Contemporary Architectural Design and Property Development Essay

Contemporary Architectural Design and Property Development - Essay ExampleIn general, a religion means a strict, unwritten code of essential rules (including morals and traditions) established by humans in order to control social life of their society.Vastu and Feng-Shui is a part of old traditions and conclusion of Chinese and Indian societies. In a time, they became popular in all Asian countries. Both of the concepts call to the science of planning buildings, travelways, and graves such that they will get maximum benefits and minimum damage from the the cosmos. more than specifically, Feng-Shui addresses wind, water, and other natural forces. Natural forces in this case include dandy and bad luck, which are explicitly compared to wind. The idea of both approaches is that inhabitants of a well-sited home, or descendants of some unmatchable buried in a good gravesite, give notice expect wealth, sons, status, and security to flow to them. Rajgopal (2002) explainsThe rebirth of V astu Shastra parallels contemporary spiritual movements arising all over the institution that seek to connect with a higher energy, draw closer to the mysteries of the universe, and contribute to a major prototype shift (p. 33).However, focally, Vastu and Feng-Shui in... s a true folk science, as recognized by the first occidental observer to comment extensively on it and by many Chinese and Westerners since Vastu and Feng-Shui also involve an aflame response to landscapes (Freeman, 2005). In India, excellent work is being done which shows not only that modem architecture can be given a worthy landscape setting, but also that it may soon be possible to find landscape architects who can deal imaginatively with the vast bracing opportunities created for them by fresh town and country planning. But no large body of recognizably modern font landscape architecture exists, and in only a few countries is there a strong school of designers (Pegrum, 2000). In modern Asian (and Indian) architecture the two great motive forces of the modern movement are on the one hand the bleak opportunities being created by technical and social progress and on the other the new structural proficiencys. In landscape architecture new opportunities are certainly being created, but the technique of garden construction is still fundamentally the same as it was in the eighteenth century. The three important principles of Veda are right orientation, right placement, and right proportion (Rajgopal, 2002, p. 34). Even the invention of modern earth-moving machinery, which may expect revolutionary, has in fact merely accelerated and cheapened processes which were used by old builders. Rajgopal (2002) explains that The reason for da Gamas disheartenment was that all buildings constructed in Kerala, regardless of the faith of their inhabitants, were built according to the principles of Vastu Shastra by takshagans-- skilled craftsmen-carpenters well poetise in the ancient science (p. 34) .Today, in Vastu and Feng-Shui, in spite of the advance of science and the discovery of new plants,